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Because Brontë begins her story much earlier in the life of her heroine than does Du Maurier, readers get to experience many of the events that shape Jane’s self-doubts, including living with an abusive aunt and attending a horrific boarding school. In her own story, Jane Eyre struggles with many of the same insecurities about her appearance, moral character, and deservedness of affection. Living under the shadow of Rebecca, the narrator struggles against her own anxieties and doubts, as well as an unfriendly staff, to find a way to survive in the chilled atmosphere at Manderley with a man she believes does not and cannot love her. Once they are married and arrive at Manderley, I’s feeling of inadequacy is only exacerbated by the constant comparisons by those around her to the previous Mrs. She is baffled by Maxim’s attention, believing he spends time with her to be polite. Her story is riddled with such self-deprecatory comments and her relationship with Maxim is marked by her feelings of inferiority.
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On one drive through Monte Carlo with her new friend Maxim de Winter, she declares boldly: “I wish I were a woman of 36, dressed in black satin with a string of pearls” (Du Maurier, 37).
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Rebecca’s narrator I fits this description perfectly, especially considering that she doesn’t even think to give the reader her own name! These anxieties prompt her to make outlandish statements about her wishes to change. In her article “The Utopian Impulse in Popular Literature: Gothic romances and ‘Feminist’ Protest,” Janice Radway offers a thorough analysis of the typical heroine in a Gothic romance novel: “she…is obsessed with her unexceptional appearance… sexually innocent and highly romantic… marked by self-deprecatory tendency.” These traits combine in a perfect recipe for a woman in distress, controlled by her environment, and suffering from a near-constant state of anxiety. Jane & I: The Perfect Gothic romance HeroinesĪs the narrator and central focus of the plot, Jane Eyre and I each offer ideal characterizations of the Gothic romance heroine. As examples of the Female Gothic romance, Jane Eyre and Rebecca offer similar heroines, heroes, and assorted plot devices. In many ways, Rebecca captures the true essence and Gothic romantic style of Jane Eyre, something countless imitations of the classic had previously failed to achieve (Bertrandias). Still, perceptive readers and harsh critics alike have noted the number of connections between the two works. While Du Maurier admitted to admiring Brontë’s work, she never made any public mention of an intention to transform the classic novel in a modern context (Bertrandias). When studied alongside one another, the popular Gothic romance novels Jane Eyre and Rebecca bear striking similarities. Surface Similarities in Plot & Characterization